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| Cradle of Filth |
Dani Filth and Paul Allender at 2009's Hellfest. |
| Background information |
| Origin |
Suffolk, England |
| Genres |
Extreme metal |
| Years active |
1991–present |
| Labels |
Cacophonous, Music for Nations, Fierce, Mayhem, Metal Blade, Abracadaver, Sony, Roadrunner, Peaceville, Nuclear Blast |
| Associated acts |
Abgott, Abigail Williams, Anathema, Angtoria, The Blood Divine, Brujeria, Dimmu Borgir, Imperial Vengeance, My Dying Bride, Old Man's Child, Orbs, Primary Slave |
| Website |
www.cradleoffilth.com |
| Members |
| (see below) |
Sarah Jezebel Deva joined the band in 1996.
Cradle of Filth are an English extreme metal band that formed in Suffolk, England in 1991. The band's musical style evolved from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic black metal and other extreme metal styles. Their lyrical themes and imagery are heavily influenced by gothic literature, poetry, mythology and horror films.
The band has broken free from its original niche by courting
mainstream publicity (often to the chagrin of its early fanbase). This
increased accessibility has brought coverage from the likes of
Kerrang! and MTV, along with frequent main stage appearances at major festivals such as Ozzfest, Download, and even the mainstream Sziget Festival.
This has given the band a more "commercial" image. They have sometimes
been perceived as Satanic by casual observers, even though their
outright lyrical references to Satanism are few and far between. Their use of satanic imagery has arguably always been more for shock value, rather than any seriously held beliefs.
Early years (1991–1996)
Cradle of Filth's first three years saw three demos (
Invoking the Unclean,
Orgiastic Pleasures Foul and
Total Fucking Darkness)
recorded amidst the sort of rapid line-up fluctuations that have
continued ever since, the band having more than twenty musicians in its
history. An album entitled
Goetia was recorded prior to the third
demo and set for release on Tombstone Records, but all tracks were
wiped when Tombstone went out of business and could not afford to buy
the recordings from the studio. The band eventually signed to Cacophonous Records and their debut album,
The Principle of Evil Made Flesh,
was also Cacophonous's first release in 1994. A step-up in terms of
production from the rehearsal quality of most of their demos, the album
was still nevertheless a sparse and embryonic version of what was to
come, with lead singer Dani Filth's
vocals in particular bearing little similarity to the style he was
later to develop. The album was well-received however, and as recently
as June 2006 found its way into
Metal Hammer's list of the top ten black metal albums of the last twenty years.
Cradle's relationship with Cacophonous soon soured; the band accusing
the label of contractual and financial mismanagement. Acrimonious legal
proceedings took up most of 1995, and the band finally signed to Music for Nations in 1996 after only one more contractually obligated Cacophonous recording: the EP
V Empire (Or Dark Faerytales in Phallustein) which, it has since been conceded, was hastily written as a Cacophonous escape-plan Despite the circumstances of its release however, its handful of tracks
are staples of the band's live sets to this day, and "Queen of Winter,
Throned" was listed among twenty-five "essential extreme metal anthems" in a 2006 issue of
Kerrang! magazine. The EP also marked Sarah Jezebel Deva's debut with the band, replacing Andrea Meyer, Cradle's first female vocalist and self-styled "satanic advisor". Deva appeared on every subsequent Cradle release and tour until
Darkly, Darkly, Venus Aversa, but was never considered a full band member, since she also performed with The Kovenant, Therion and Mortiis, and fronted her own Angtoria project along with Cradle's current bass player, Dave Pybus.
Music for Nations era (1996–2001)
Dusk... and Her Embrace
followed the same year: a critically acclaimed breakthrough album that
greatly expanded the band's fan-base throughout Europe and the rest of
the world. A concept album of sorts based generally on vampirism and specifically (though loosely) on the writing of Sheridan Le Fanu,
Cradle's inaugural album for Music for Nations set the tone for what
was to follow. The album's production values matched the band's ambition
for the first time, whilst Dani's vocal gymnastics were at their most
extreme.
The increasingly theatrical stage shows of the 1997 European tour
helped keep Cradle in the public eye, as did a burgeoning line of
controversial merchandise; not least the notorious T-shirt depicting a masturbating nun on the front and the slogan "Jesus is a cunt" in large letters on the back. The T-shirt is banned in New Zealand, a handful of fans have faced court appearances and fines for wearing
the shirt in public, and some band members themselves attracted a
certain amount of hostile attention when they wore similar "I Love Satan" shirts to the Vatican. Alex Mosson, the Lord Provost of Glasgow
from 1999 to 2003, called the shirts (and by implication the band)
"sick and offensive". The band obviously approved, using the quote on
the back cover of the 2005 DVD
Peace Through Superior Firepower.
The infamous "Vestal Masturbation" T-shirt design.
In 1998, Dani began his long-running "Dani's Inferno" column for
Metal Hammer, and the band appeared in the BBC documentary series
Living with the Enemy (on tour with a fan and his disapproving mother and sister) and released its third full-length album
Cruelty and the Beast. A fully realised concept album based on the legend of the "Blood Countess" Elizabeth Báthory, the album boasted the casting coup of Ingrid Pitt providing guest narration as the Countess: a role she first played in Hammer's 1971 film
Countess Dracula. The album led to Cradle's U.S debut,
and Dani claimed it in 2003 as the Cradle album of which he was most
proud, although he conceded dissatisfaction with its sound quality.
Paul Allender left the band late in 1994, but rejoined in 2000 for
Midian.
The following year the band continued primarily to tour, but did release its first music video,
PanDaemonAeon, and an accompanying EP,
From the Cradle to Enslave, featuring the music from the production. Replete with graphic nudity and gore, the video was directed by Alex Chandon, who would go on to produce further Cradle promo clips and DVD documentaries, as well as the full-length feature film
Cradle of Fear.
The band released their fourth full-length studio album on the Halloween of 2000.
Midian was based around the Clive Barker novel
Cabal and its subsequent film adaptation
Nightbreed. Like
Cruelty and the Beast,
Midian featured a guest narrator, this time Doug Bradley, who starred in
Nightbreed but remains best known for playing Pinhead in the
Hellraiser films. Bradley's line "Oh, no tears please" from the song "Her Ghost in the Fog" is a quote of Pinhead's from the first
Hellraiser ("No tears, please. It's a waste of good suffering...") and Bradley would reappear on later albums
Nymphetamine, Thornography, and
Godspeed on the Devil's Thunder. The video for "Her Ghost in the Fog" received heavy rotation on MTV2 and other metal channels, and the track also found its way onto the soundtrack of the werewolf movie
Ginger Snaps (it would also feature, much later, in the video game
Brütal Legend).
Sony interlude (2001–2004)
The longest-ever interim period between full-length Cradle albums was nevertheless a busy time for the band.
Bitter Suites to Succubi was released on the band's own "Abracadaver" label, and was a mixture of four new songs, re-recordings of three songs from
The Principle of Evil Made Flesh, two instrumental tracks and a cover of The Sisters of Mercy's "No Time to Cry". Stylistically similar to
Midian,
the album is unique among Cradle albums in featuring exactly the same
band members as its predecessor, but is generally regarded as an EP and
often overlooked in the band's canon. Further stop-gap releases followed in the form of the "best of" package
Lovecraft & Witch Hearts and a live album,
Live Bait for the Dead. Finally, the band (principally Dani) also found time to appear in
Cradle of Fear while they negotiated their first major-label signing with Sony Music.
Damnation and a Day arrived in 2003; Sony's heavyweight funding underwriting Cradle's undiminished ambition by finally bringing a real orchestra into the studio (the 80-strong
Budapest Film Orchestra and Choir replacing the increasingly
sophisticated synthesizers of previous albums) and thus marking the band's belated gestation — for one album only — into full-blown symphonic metal.
Damnation
featured the band's most complex compositions to date, outran its
predecessors by a good twenty minutes, and produced two more popular
videos: the Švankmajer-influenced
Mannequin, and
Babalon A.D. (So Glad for the Madness), based on Pasolini's infamous
Salò. Roughly half the album trod the conceptual territory of John Milton's
Paradise Lost — showing the events of the Fall of Man through the eyes of Lucifer— while the remainder comprised stand-alone tracks such as the Nile tribute "Doberman Pharaoh" and the aforementioned "Babalon A.D."; a reference to Aleister Crowley. "Babalon A.D." was the first DVD-only single to reach the U.K. top 40, according to the
Guinness Book of Records of British Hit Singles and Albums. Feeling that Sony's enthusiasm quickly palled however, Cradle jumped ship to Roadrunner Records after barely a year.
Move to Roadrunner (2004–2010)
2004's
Nymphetamine was the band's first full album since
The Principle of Evil Made Flesh to not be based around any sort of overarching concept (although references to the works of H. P. Lovecraft are made more than once). Cradle's bassist Dave Pybus described it as an "eclectic mix between the group's
Damnation and
Cruelty albums with a renewed vigour for melody, songmanship [sic] and plain fucking weirdness."
Nymphetamine debuted at No. 89 on the Billboard Top 200 chart selling just under 14,000 copies, and the band's growing acceptance by the mainstream was confirmed when the album's title track was nominated for a Grammy award.
Thornography,
was released in October 2006. According to Dani Filth, the title
"represents mankind's obsession with sin and self... an addiction to
self-punishment or something equally poisonous... a mania." On the subject of the album's musical direction, Filth told
Revolver
magazine, "I'm not saying it's 'experimental', but we're definitely
testing the limits of what we can do... A lot of the songs are really
rhythmical – thrashy, almost — but they're all also really catchy." A flurry of pre-release controversy saw Samuel Araya's original cover
artwork scrapped and replaced in May 2006, although numerous CD booklets
had already been printed with the original image.
Thornography received a similar reception to
Nymphetamine, garnering generally positive reviews, but raising a few eyebrows with the inclusion of a cover of Heaven 17's "Temptation" (featuring guest vocals from Dirty Hary), which was released as a digital single and accompanying video shortly before the album.
Thornography entered the Billboard chart at No. 66, having sold nearly 13,000 copies.
Long-term drummer Adrian Erlandsson departed the band in November 2006, with the intention of devoting his energies to his two side projects Needleye and Nemhain.
The official press release from Roadrunner saw Erlandsson state "I have
enjoyed my time with Cradle but it is now time to move on. I feel I am
going out on a high as
Thornography is definitely our best album to date". He was replaced by Martin Škaroupka.
Drummer Martin Škaroupka replaced Adrian Erlandsson for
Godspeed on the Devil's Thunder
Work on the eighth studio album, released in October 2008 as
Godspeed on the Devil's Thunder, began early that year following a GWAR-supported tour which took place in Russia, the Ukraine, the UK, Romania, Slovakia and North America.
Godspeed was a concept album based around the legend of Gilles de Rais, a 15th-century French nobleman who fought alongside Joan of Arc and accumulated great wealth before becoming a satanist, sexual deviant and murderer. Kerrang! preferred the album to the "relatively weak"
Thornography, calling it "grandiose and epic", while Metal Hammer said it had "genuine narrative depth and emotional resonance", and Terrorizer called it "cohesive, consistent and convincing". It sold 11,000 copies in its week of release, entering the Billboard 200 at No. 48.
Peaceville Records (2010–present)
Cradle of Filth performing live at Metaltown Festival in June 2011
Cradle's relationship with Roadrunner came to an end in April 2010,
with the announcement that the band's next album would be released by
the British independent label Peaceville Records, using Cradle's own Abracadaver imprint. Dani Filth cited "the artistic restrictions and mindless inhibitions
imposed by a major label" as the band's reason for going independent. Early press releases named the new album
All Hallows Eve, but by August 2010 the title was confirmed as
Darkly, Darkly, Venus Aversa. Released on November 1, 2010, it is a concept album in the same vein as its predecessor,
Godspeed on the Devil's Thunder; this time centering on the demon Lilith, the first wife of the Biblical Adam, and also making reference to Greek, Egyptian and Sumerian mythology, the Knights Templar and the Carmelite Nuns. The label referred to it as "a dark tapestry of horror, madness and twisted sex", while Filth called its sound "creepily melodic, like Mercyful Fate or a dark Iron Maiden". Metal Hammer's
Dom Lawson felt it was "another sumptuous and spectacular eruption of
gothic melodrama, perverted sonic schlock and balls-out extreme metal
bombast", and likened it to an "instalment in an ongoing series of
novels."
An EP entitled
Evermore Darkly,
featuring "new tracks and rarities", was released in October 2011. The
package included a DVD with a tour documentary, live DVD recorded at
2011's Graspop festival, and the video for "Lilith Immaculate".
In April 2012, the compilation album
Midnight in the Labyrinth was released, featuring orchestral re-recordings of songs from the band's first three albums plus the
V Empire EP. Dani Filth had described it in the preceding months as "reinventing"
the tracks as "full soundtrack quality stuff... with choirs, strings and
some narration". This album's version of "Summer Dying Fast" was included on
Evermore Darkly as a teaser for the full release, and "A Gothic Romance (Red Roses for the Devil's Whore)" was released online via Peaceville Records' website on April 4. Sarah Jezebel Deva returned to provide female vocals for
Midnight in the Labyrinth: her first work with Cradle since her departure in 2008.
A new studio album is in preparation. Paul Allender told Ultimate Guitar
that "The last thing we want to do is come out with another album that
sounds like the last two. We decided to change direction and go back to
what we used to do with the female vocals; all the strong melody lines
and harmonies... I've put a lot of punk orientated riffs back into it
again. It's really gone quite dark and pretty hardcore." The album is slated for a Halloween 2012 release. Dani Filth revealed the titles of songs from the new album: "Siding
with the Titans", "The Abhorrent", "Illicitus", "Frost on Her Pillow",
"For Your Vulgar Delectation", "Death, the Great Adventure",
"Manticore", "The Unveiling of O.", "Pallid Reflection" and "Huge Onyx
Wings Behind Despair".
Genre
Cradle of Filth's particular subgenre has provoked a great deal of discussion, and their status as a black metal band or otherwise has been in debate since near the time that the group rose to fame Filth, in a 1998 interview for BBC Radio 5
for example, said "I use the term heavy metal, rather than black metal,
because I think that's a bit of a fad now. Call it what you like: death
metal, black metal, any kind of metal...", while Gavin Baddeley's 2006
Terrorizer interview states that "few folk, the band included, call Cradle black metal these days."
The band's style has been described as symphonic black metal, gothic black metal,and dark metal. However, the band's evolving sound has allowed them to continue
resisting definitive categorisation. They are audibly influenced by Iron Maiden, have collaborated on projects like Christian Death's
Born Again Anti-Christian
album (on the track "Peek-A-Boo"), and have even dabbled outside of
metal music with dance remixes ("Twisting Further Nails", "Pervert's
Church" etc), although these have fallen by the wayside in recent years.
In a 2006 interview with
Terrorizer magazine, current guitarist Paul Allender said "We were never a black metal band. The only thing that catered to that was the make-up. Even when
The Principle of Evil Made Flesh came out — you look at Emperor and Burzum and all that stuff — we didn't sound anything like that. The way that I see it is that we were, and still are now, an extreme metal band."
Appearing on the BBC music quiz
Never Mind the Buzzcocks on April 9, 2001, Filth jokingly claimed Cradle's sound as "heavy funk",
and in an October 2006 interview stated "we'd rather be known as solely
'Cradle of Filth', I think, than be hampered by stupid genre barriers.
Source:en.wikipedia.org
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